Deze dynamische, internationale dansweek (ISDW) biedt jonge, gevorderde en professionele dansers technische hedendaagse en klassieke danslessen en creatieve workshops aan binnen een unieke sfeer en prachtige dansstudio's in Wilrijk/Antwerpen.
This dynamic, international dance week (ISDW) offers young, intermediate, advanced and professional dancers classes in contemporary and classical dance and creative workshops within a unique framework and fantastic dance studio's in Wilrijk/Antwerp.
Registration for International Summer Dance Workshop is now OPEN!
Inschrijving voor de ISDW is nu OPEN!
Dates: 16th until 20st August 2021
Where: de! Kunsthumaniora Hedendaagse Dans
Kerkelei 43, 2610 Wilrijk/Antwerp - Belgium
Fee / prijs:
Techniek classes in the morning, workshops in the afternoon.
1. Advanced dancers 14 - 16 years old:
Yasemin Kandemir - Classical Dance
Dries Verstreepen - Contemporary Dance
Helder Seabra - Contemporary Dance Workshop
2. 16+ Intermediate, Advance and Professional:
Xiao Jun Sun (Shanghai) - Classical Dance
Filip Van Huffel (B) - Contemporary Dance
Marion Sparber (I/D) - Contemporary/Flying low
Tony Vezich (NZL) - Release The Beast
Programme / Programma:
Dancers 14 to 16 years old
Studio 1 (ATDK studio)
Dancers 16+ Intermediate
Dancers 16+ Advanced/Professional
Prices / prijzen
Inschrijvingsformulier download HIER
Sun Xiaojun was a principal dancer at a.o. the Shanghai Ballet, the Grand Theatre du Genève, Zurich Ballet, Les Grands Ballets Canadiens, Teatro Del Maggio Musicale Fiorentino. He has danced a great range of pieces, varying from Petipa to Balanchine and Forsythe to Naharin.
As a teacher he has taught at many companies, studio’s and schoolsin Europe and Asia such as: Het Nationale Ballet, Scapino Ballet, Galili Dance company, Dance works Rotterdam, The Norwegian National Ballet, Cullberg Ballet, Skånes Dansteater, Göteborgsoperans Danskompani, Norrdans, Carte Blanche Norwegian National company of contemporary dance, Dansk Danseteater, Ballet Preljocaj, Ballet National de Marseille, Theater Krefeld und Monchengladbach, Ultima Vez, Trobleyn/Jan Faber, Needcompany and Compagnie Thor, Shanghai Ballet, Henny Jurriens Stichting, Charleroi Danse, PRODA Foundation, Danscentrum SYD, Danscentrum VAST, Dansehallerne Copenhagen, Codarts, University of Arts, Royal Conservatory of The Hague, Swedish Royal Ballet school, DDSKS- The Danish national school of Arts, Belgian Royal Ballet school Antwerp, Ecole Nationale de Superieure de danse de Marseille, KHIO-Oslo National Academy of the Arts, National Ballet school of Norway, Shanghai Theatre Dance Academy, Architanz ......
Sun Xiao Jun's class is based on helping dancers discover the natural impulse of their own bodies, overcoming obstacles and in doing so learning to trust and believe in themselves.
Filip Van Huffel werd aanvankelijk opgeleid in de Plastische Kunsten voordat hij zijn dansopleiding op 18 jarige leeftijd aanvatte. Hij trainde met een scala van hedendaagse en klassieke dansdocenten in Europa.
Filip werkte als danser bij Fray Faust, Claudio Bernardo, Marie De Corte, Compagnie THOR en Random Dance Company.
Sinds 1996 is hij danser, choreograaf en artistiek leider van het Vlaams/Britse Retina Dance Company. Zijn werk onderzoekt hoe pure, abstracte beweging een theatrale kwaliteit kan communiceren. Van Huffel's choreografie wordt gekenmerkt door heel lichamelijke beweging, meeslepende energie en baanbrekend partnerwerk. Met Retina Dance Company toerde hij o.a. in: Groot-Brittannië, België, Frankrijk, Duitsland, India, Italië, Portugal, Zwitserland, Zuid-Korea en Venezuela.
Filip is coördinator van de! Kunsthumaniora Hedendaagse Dans en leerkracht hedendaagse dans, docent choreografie aan de Lerarenopleiding van AP Conservatorium Antwerpen en freelance choreograaf.
Tony studied contemporary dance at the New Zealand School of dance and later spent the whole next decade and a half working as a dancer and choreographer in Germany. Tony is the founder, artistic director and choreographer of the temper-temper dance company and his repertoire consists of over fifty choreographic accomplishments. After having dissolved temper-temper, he became the head lecturer of contemporary dance at the Iceland Academy of the Arts, and was able to devise and develop his technique called, ‘release-the- beast’- which he teaches throughout Europe and Scandinavia.
RELEASE THE BEAST
I spent many years developing a dance vocabulary for my choreographies. The base of which is extremely physical. As the vocabulary solidified a hazardous side effect appeared. Injuries. From that moment on I began to develop exercises that would help protect my dancers and I from serious injury. It has developed into a complete technique, which I believe can be used for far more than the original intention. I have named it “Release the Beast “ technique.
There is a heavy emphasis on floor-work and a certain sequential order of the body in relation to the origin of movement initiation.
Another defining factor is how to find a powerful centre, how to use this powerful centre to move greater distances within space, especially in relation to the floor and the lower region of dance space.
Originally from South Tyrol in Italy, Marion is a professional dancer/instructor based in Berlin, Germany. She received her professional dance training at Varium in Barcelona and Iwanson Contemporary Dance School in Munich. As a teacher she has been working in several schools and festivals in Italy, Spain, Costa Rica, Russia, Portugal and Germany a.o. at Ballettförderzentrum Nürnberg, Kari-Tanzhaus, Deltebre Dansa, Academy Dancer Russia, Varium Barcelona, Marameo, Dock 11, Etage, Danceworks and Tanzfabrik (Berlin). Marion has collaborated as a dancer with choreographers and companies such as Francisco Córdova in the piece “To be”, Stella Zannou in the piece “Strange”, Sonia Rodriguez, performing “Mabel”, ADN-Dialect in the pieces “Zeitzone”, “Urban Shaman” and “L’affaire Wettstein”, Eldon Pulak in “The Wetting Party” and as a guest dancer of Weedance Company. Her solo-work “The Ripe and ruin” and her group-pieces “Shell Shock” and “Impromptu” have been performed at several theaters and festivals in Costa Rica, Greece, Spain, Switzerland, Italy and Germany. She is co-founder of the KpiqA-Collective and CuerpOCOllectivo and performed the duet “Eight”, and the trio “Nefelibata” in Spain, Italy, Russia and Germany. Recently Marion got invited as a young emerging choreographer to “Certamen Coreografíco de Madrid, Paso a 2” to present “Eight”, and receives funding as a young choreographer from “Amt für Kultur Südtirol”. In 2014 Marion was part of “EX-IN”, a one month intensive workshop with David Zambrano learning Flying Low and Passing Through Technique.
I teach contemporary dance training with an emphasis on floor work. We start the class by opening our channels of awareness. The warm up is focused on passing through the whole body and expanding our flexibility and strength. We use the playfulness in our movement to connect to the natural flow of breath. With the help of exercises in different constellations – in a group, with a partner or alone – we listen to the weight of our body and direct it through space. An important aspect of the training is giving attention to the momentum of movement and on integrating changes of dynamic and musicality in short movement phrases. As techniques of inspiration for my class, I use a lot of the principles of Flying Low technique by David Zambrano, as well as release technique mixed with my personal investigation. I like to establish a collective mind and body inside the class to enhance the group power, while giving an energetic push to the individual source of creativity.
Yasemin Kandemir begon haar dansopleiding op 8-jarige leeftijd aan de Koninklijke Balletschool te Antwerpen. Vervolgens zette ze haar studies verder aan het Hoger Instituut voor Dans en Danspedagogie (nu Koninklijk Conservatorium Antwerpen), waar ze deel uitmaakte van Compagnie Aimé de Lignière van 1992 tot 1998. Hiernaast werkte ze ook voor verschillende TV- en filmproducties als danser en choreograaf.
Sinds 2000 is ze vast verbonden aan de! Kunsthumaniora Hedendaagse Dans Antwerpen als docent klassieke dans en aan het Koninklijk Conservatorium Antwerpen als rehearsal director. Hierdoor werkte zij samen met gerenommeerde choreografen zoals Ann Van den Broek, David Hernandez, Roberto Olivan, Iris Bouche, Sidi Larbi Cherkaoui enz…
Recent assisteerde ze Damien Jalet bij de productie 'Les Méduses' voor het Louvre Museum in Parijs, Helder Seabra in 'No Man’s Land' voor de Kunsthumaniora Antwerpen, 'Footprint' voor Fontys Dansacademie Tilburg en 'Trouw met mij' de Nieuwe film van Kadir Balci.
Dries Verstreepen is currently a member of Company Thor/choreograaf Thierry Smits. https://www.thor.be/en/company...
Dries began his dance career in dance studio Tokati at the age of 6. His talent was discovered a few years later, so he ended up in Retina Youth Company with choreographer Filip Van Huffel.
Since then he has danced in productions by Natasa Franzi, Alex Kyriakoulis, Agostina D'alessandro, Anton Lachky and Wim Vandekeybus.
Dries was a dance student at the Royal Conservatory of Antwerp and had many teachers such as Peter Jasko, Tony Vezich, David Hernandez, Masha Kolekova, Vittoria De Ferrari, Navala (Niku) Chaudhari, Iñaki Azpillaga, Ricardo Ambrozio, Anton Lachky and many others.
Since 2011 Dries is a successful teacher, coach and choreographer. His choreographies have been performed all over Flanders.
Originally from Portugal, Helder Seabra, received his training in Ginasiano / Portugal and P.A.R.T.S./Belgium. For the past 14 years he has been a long-term member of the renowned companies Ultima Vez/Wim Vandekeybus and Eastman/Sidi Larbi Cherkaoui, as a performer, assistant choreographer and teacher for local and international assignments.
At the same time he has been progressively developing his own artistic practices and in 2013 he founded HelKa Vzw, to channel all his previous experiences and explore the full potential of the body & mind, and different forms of dialogue, through collaborations with other artists. Through the platform he has been creating, performing, and teaching on an intensive basis (inter)nationally.