Deze dynamische, internationale dansweek (ISDW) biedt jonge, gevorderde en professionele dansers technische hedendaagse en klassieke danslessen en creatieve workshops aan binnen een unieke sfeer en prachtige dansstudio's in Wilrijk/Antwerpen.
This dynamic, international dance week (ISDW) offers young, intermediate, advanced and professional dancers classes in contemporary and classical dance and creative workshops within a unique framework and fantastic dance studio's in Wilrijk/Antwerp.
Registration for International Summer Dance Workshop is now OPEN!
Inschrijving voor de ISDW is nu OPEN!
Dates: 17th until 21st August 2020
Where: de! Kunsthumaniora Hedendaagse Dans
Kerkelei 43, 2610 Wilrijk/Antwerp - Belgium
Fee / prijs:
Techniek classes in the morning, workshops in the afternoon.
1. Advanced dancers 14 - 16 years old:
Yasemin Kandemir - Classical Dance
Matthew Slater - Contemporary Dance
Steven Martin - Contemporary Dance
2. 16+ Intermediate, Advance and Professional:
Xiao Jun Sun (Shanghai) - Classical Dance
Filip Van Huffel (B) - Contemporary Dance
Milan Tomášik (SLO) - Happy Feet
Tony Vezich (NZL) - Release The Beast
Programme / Programma:
Dancers 14 to 16 years old
Studio 1 (ATDK studio)
Dancers 16+ Intermediate
Dancers 16+ Advanced/Professional
Prices / prijzen
Inschrijvingsformulier download HIER
Sun Xiaojun was a principal dancer at a.o. the Shanghai Ballet, the Grand Theatre du Genève, Zurich Ballet, Les Grands Ballets Canadiens, Teatro Del Maggio Musicale Fiorentino. He has danced a great range of pieces, varying from Petipa to Balanchine and Forsythe to Naharin.
As a teacher he has taught at many companies, studio’s and schoolsin Europe and Asia such as: Het Nationale Ballet, Scapino Ballet, Galili Dance company, Dance works Rotterdam, The Norwegian National Ballet, Cullberg Ballet, Skånes Dansteater, Göteborgsoperans Danskompani, Norrdans, Carte Blanche Norwegian National company of contemporary dance, Dansk Danseteater, Ballet Preljocaj, Ballet National de Marseille, Theater Krefeld und Monchengladbach, Ultima Vez, Trobleyn/Jan Faber, Needcompany and Compagnie Thor, Shanghai Ballet, Henny Jurriens Stichting, Charleroi Danse, PRODA Foundation, Danscentrum SYD, Danscentrum VAST, Dansehallerne Copenhagen, Codarts, University of Arts, Royal Conservatory of The Hague, Swedish Royal Ballet school, DDSKS- The Danish national school of Arts, Belgian Royal Ballet school Antwerp, Ecole Nationale de Superieure de danse de Marseille, KHIO-Oslo National Academy of the Arts, National Ballet school of Norway, Shanghai Theatre Dance Academy, Architanz ......
Sun Xiao Jun's class is based on helping dancers discover the natural impulse of their own bodies, overcoming obstacles and in doing so learning to trust and believe in themselves.
Filip Van Huffel werd aanvankelijk opgeleid in de Plastische Kunsten voordat hij zijn dansopleiding op 18 jarige leeftijd aanvatte. Hij trainde met een scala van hedendaagse en klassieke dansdocenten in Europa.
Filip werkte als danser bij Fray Faust, Claudio Bernardo, Marie De Corte, Compagnie THOR en Random Dance Company.
Sinds 1996 is hij danser, choreograaf en artistiek leider van het Vlaams/Britse Retina Dance Company. Zijn werk onderzoekt hoe pure, abstracte beweging een theatrale kwaliteit kan communiceren. Van Huffel's choreografie wordt gekenmerkt door heel lichamelijke beweging, meeslepende energie en baanbrekend partnerwerk. Met Retina Dance Company toerde hij o.a. in: Groot-Brittannië, België, Frankrijk, Duitsland, India, Italië, Portugal, Zwitserland, Zuid-Korea en Venezuela.
Filip is coördinator van de! Kunsthumaniora Hedendaagse Dans en leerkracht hedendaagse dans, docent choreografie aan de Lerarenopleiding van AP Conservatorium Antwerpen en freelance choreograaf.
Tony studied contemporary dance at the New Zealand School of dance and later spent the whole next decade and a half working as a dancer and choreographer in Germany. Tony is the founder, artistic director and choreographer of the temper-temper dance company and his repertoire consists of over fifty choreographic accomplishments. After having dissolved temper-temper, he became the head lecturer of contemporary dance at the Iceland Academy of the Arts, and was able to devise and develop his technique called, ‘release-the- beast’- which he teaches throughout Europe and Scandinavia.
RELEASE THE BEAST
I spent many years developing a dance vocabulary for my choreographies. The base of which is extremely physical. As the vocabulary solidified a hazardous side effect appeared. Injuries. From that moment on I began to develop exercises that would help protect my dancers and I from serious injury. It has developed into a complete technique, which I believe can be used for far more than the original intention. I have named it “Release the Beast “ technique.
There is a heavy emphasis on floor-work and a certain sequential order of the body in relation to the origin of movement initiation.
Another defining factor is how to find a powerful centre, how to use this powerful centre to move greater distances within space, especially in relation to the floor and the lower region of dance space.
Milan Tomášik, born in Slovakia in 1981. He studied dance at the Conservatory J. L. Bellu in Banská Bystrica and at the Academy of Performing Arts in Bratislava. In 2004, he graduated from P.A.R.T.S, the international dance school in Brussels directed by Anna Teresa de Keersmaeker. In 2001, he participated in Vienna’s ImpulsTanz festival with a Dance Web scholarship and went on tour with the Dutch company MAPA (Moving Academy for Performing Art). In 2004, he received the Prize of the City Prievidza (Slovakia) for representing contemporary dance at home and abroad. For the solo dance performance Off-beat, he received special mention for “musical research and the expressive strength of choreographic language” at Cortoindanza festival in Cagliari, Italy ( 2015).
Milan Tomášik has collaborated with several choreographers: Eva Weissmann (2000-2005), Iztok Kovač‘s company En-Knap (2005-2006), Maja Delak and Mala Kline (2005), Snježana Premuš (2007), Barbara Novakovič Kolenc (2007). Milan made a piece Veselosti minulosti (2012) commissioned by the Slovak dance company Divadlo Štúdio tanca.
His teaching activities includes giving classes Happy Feet for professional companies, festivals and dance Academies as well as workshops titled Playful Presence in most of the countries in Europe, China, Democratic Republic of Kongo and Mexico.
He is a co-founder and active member of Les SlovaKs dance collective, the company based in Brussels. With them, he created three dance performances (Opening Night, Journey Home and Fragments), and from 2007 performed and toured in Europe, Africa, China, Middle and North America.
After the solo performances Within (2006) and Off-Beat (2011), in Solo 2016 Milan Tomášik rounds off his trilogy of solo performances created in the last decade.
In 2014 he founded Milan Tomášik & Co and created three dance performances Hunting Season (2014), Silver Blue (2015) and Fight Bright (2018).
the body is a beautiful and incredibly complex instrument. as dancers, we need to move everyday if we wanna stay in shape and step on stage prepared. of course, our mind will tell us immediately “you are ready”, but everyone who has stage experience knows that it’s not like that. the body needs to listen to us at will, right now, right here.
my technical class happy feet is focused on dancing. we approach dancing from many different perspectives: rhythm, melody, lengthening, speed, exercising the stamina, a coordination of different body parts and relation between them, body tension, which directly influences our expression, spins, tiny/small jumps, big/huge jumps.
my aim is to get to the accessible, articulated, virtuosic and rhythmical body. when i say virtuosic, it means you have to do the maximum that your body and mind is capable of in a given moment. keep in mind, that every person has different limits. when doing the class the right way, the feeling is clear: you are prepared and able to do anything at anytime without physically harming your body and you don’t wanna stop dancing…let’s dance!
Yasemin Kandemir begon haar dansopleiding op 8-jarige leeftijd aan de Koninklijke Balletschool te Antwerpen. Vervolgens zette ze haar studies verder aan het Hoger Instituut voor Dans en Danspedagogie (nu Koninklijk Conservatorium Antwerpen), waar ze deel uitmaakte van Compagnie Aimé de Lignière van 1992 tot 1998. Hiernaast werkte ze ook voor verschillende TV- en filmproducties als danser en choreograaf.
Sinds 2000 is ze vast verbonden aan de! Kunsthumaniora Hedendaagse Dans Antwerpen als docent klassieke dans en aan het Koninklijk Conservatorium Antwerpen als rehearsal director. Hierdoor werkte zij samen met gerenommeerde choreografen zoals Ann Van den Broek, David Hernandez, Roberto Olivan, Iris Bouche, Sidi Larbi Cherkaoui enz…
Recent assisteerde ze Damien Jalet bij de productie 'Les Méduses' voor het Louvre Museum in Parijs, Helder Seabra in 'No Man’s Land' voor de Kunsthumaniora Antwerpen, 'Footprint' voor Fontys Dansacademie Tilburg en 'Trouw met mij' de Nieuwe film van Kadir Balci.
Matthew began dancing at the age of 17 whilst studying A-Level Performing Arts and went on to train at NSCD, graduating in 2005. He toured with VERVE before completing a postgraduate diploma at London Contemporary Dance School (LCDS), and toured internationally as a member of EDge to France, Denmark, Sweden and Portugal in work choreographed by Sue MacLennan, Trisha Brown and Siobhan Davies.
Upon graduating from LCDS Matt joined Yael Flexer’s Bedlam Dance Company and toured as part of her production of Doing, Done and Undone alongside working for Retina Dance Company in their graduate project PAGE1. He worked with Retina extensively between 2006 and 2014 as a dancer, rehearsal director and Education Manager, touring internationally to Belgium, Germany, Ireland and South Korea.
In 2010 Matt joined the staff at NSCD as Education & Community Dance Worker (later Learning & Participation Officer) and since 2014 has been a Lecturer in Performance (Contemporary), teaching contemporary technique, partner work, performance practice, choreography and repertory.
"My work is very movement focused and is a hybrid of contemporary techniques that use full bodied connectivity to explore the ideas of weight, momentum, gravity, energy and expansiveness. My virtuosic vocabulary moves through the space and in and out of the floor with an emphasis on efficiency, use of breath and sensitivity.”
Steven Martin trained at the Scottish School of Contemporary Dance and undertook an apprenticeship with Scottish Dance Theatre. He performed in ‘Sorry for the missiles’ by Vanessa Haska, ‘Dog’ by Hofesh Shechter and Liv Lorent’s ‘Tenderhook’ and ‘Luxuria’. He joined Retina Dance Company in 2009, performing in Antipode, Relative Danger, La Lutte, Layers of Skin and Corporalis. He teaches regularly for the Scottish School of Contemporary Dance and Dundee Rep Theatre.
Steven teaches a fast-paced, highly physical masterclass focusing on a detailed full bodied movement vocabulary. The workshop will consist of a release-based contemporary class, improvisation and taught movement phrases.